Australian duo, No Names, make no attempt to hide their influences or the genre of music they play. This is industrial metal circa 1989 when European dance music still had…
Category: Reviews
French thrashers, Psychoïd, decided to reissue their 2018 debut with a new mix and a touch up in the mastering studio, but you could be forgiven for thinking this is…
Metallic hardcore quartet, Reserving Dirtnaps, are from Memphis, but their sound is synonymous with the Big Apple. Think vitriolic hardcore, furious guitar chugs and macho gang vocals with a man-on-the-street…
Anybody joining us for this review without knowledge of the previous five releases might be a little confused. How can this be the sixth in the ten-album series if it’s…
The history of Expander is sort of a headscratcher. They released their first full-length, Endless Computer, on NWN (Nuclear War Now!) Productions, which is the go-to label for goat-metal bands…
North Dakota’s Gorgatron are a death-grind force that aim to inflict blunt force trauma on their listeners. Now on their third album in ten years, the quintet have support slots…
Ukraine doom merchants, Stoned Jesus, re-release their 2010 debut on Napalm Records and give us a forty-minute psychedelic journey of fuzz riffs, soaring vocals and bluesy guitar solos with plenty…
Power metal is a divisive genre. Those who want metal elevated to a high-brow art form decry its litany of clichés and humourless bombast. At times it conforms to all…
This debut release from Seattle’s deathCAVE will capture the attention of those who worship at the altar of doom ‘n’ dirt following last year’s self-titled demo with legendary noise heavy,…